The Horror Bookshelf

BOOK INFO

Length: 260 Pages

Publisher: Grey Matter Press

Release Date: July 24, 2017

Review copy provided by publisher in exchange for an honest review

Seeing Double is Karen Runge’s debut novel, coming from one of the best horror publishers around Grey Matter Press. This was one of the novels I was really looking forward to this year as I have been impressed with Runge’s writing ever since I read her story “Hope is Here” in the outstanding anthology Suspended in Dusk, which was edited by Simon Dewar. After that I was hooked, looking out for her short stories whenever they appeared in an anthology and then being blown away when I read her brilliant debut collection Seven Sins. While her talent is on evident display in her standalone stories, this collection is incredibly impressive and showcases her willingness to take risks with her stories. There were a few that utilized interesting structures that only added more power to her words. Needless to say when I caught wind of her debut novel Seeing Double, I could barely contain my excitement.

Seeing Double focuses on Ada and Daniel, a married expat couple living in Asia. They compliment each other perfectly and while many who encounter them would dismiss them as an average, run-of-the-mill couple, there is more to their relationship that meets the eye. Ada and Daniel harbor a dark secret, one that only they know of and they never share with anyone else. However, that all changes when Daniel meets Neven, a mysterious stranger that seems to share similarities with Daniel and Ada. The trio form a relationship built around mutual attraction and it isn’t long until Ada and Daniel share their secret with Neven. As their relationship grows and they push each other into increasingly extreme situations, their boundaries are put to the test and the only possible outcome is that their lives will never be the same.

Seeing Double is a character driven piece focusing almost exclusively on the three primary characters – Ada, Daniel, and Neven. Their lust and feeling of power and control are brutal to witness in that they have no regard for those that get trapped in their orbit. Runge breathes life into these characters by giving them rich personalities that are shaped by the trauma they experienced at various points in their lives. This is important because there is a heavy psychological element to this story and the tension that arises throughout the novel is dependent on the author’s ability to create realistic characters and Runge accomplishes that with ease. Ada and Daniel work well together, like a well-oiled machine. They are predators in every sense of the word, and the fact they have spent so much time together allows them to read each others cues and send each other messages non-verbally as to not alert their targets. While there is a section of the novel where a character mentions that past trauma did not necessarily get them to this point, there is no denying that each of these characters have been through some rough situations that certainly played a role in their current situations.

Ada had to deal with a lot of abuse and had a rough home life as well. Her father had met a new woman and Ada never felt comfortable around them, often catching looks exchanging between the two of them that seemed to indicate they tried to tolerate her in as few visits as possible. Ada never felt like her relationship with her parents were built on love, but rather a sense of disconnection and obligation. However, Ada’s parents would take her with them to bars, which was a pivotal moment in her life. Runge brings these scenes to life by showing a teenage Ada in the midst of adult situations that she should not be in and the creep factor of older men trying to take advantage of her. It’s these sort of encounters that led to Ada being fascinated with the combination of pain and love. She mentions that she had to battle her own will to become the woman she is now, altering herself in sometimes horrific and extreme ways.

Daniel’s transformation is a little harder to follow as his story comes together later, but he went through his own trauma and I’m sure that he became the person he is as a result of that. He exerts a level of control that portrays him as the alpha of their group.

Daniel is clearly more experienced than Ada and Neven. When he talks about what they do and begins to initiate Neven into their dangerous lifestyle, it’s clear that he views their actions with a sense of detachment. We see aspects of Ada’s life that indicate she was on a similar path to Daniel, but it was almost like Daniel was grooming her, leading her down the paths that he chose and not necessarily ones she would have traveled down alone. The same pattern shows up in Daniel’s relationship with Neven, but over time, Neven becomes even more extreme than any of them (including Neven himself) could have predicted.

A bulk of characters in fiction seem to fall neatly into a set framework of traditional relationships, wants, and desires, but Runge’s characters form a polyamourous relationship which sets the stage for some interesting character conflicts throughout the novel.

Ada is a confident, independent woman, but there is a scene early on when she first meets Neven that we see Daniel’s internal thoughts and it is like he is claiming her by saying “she’s still mine” as he watches them interact for the first time. Originally Neven wasn’t seen as an addition to their relationship, but the more they spend time together, the more Neven begins to become a fixture in the relationship dynamic between Ada and Daniel. While it seems there is love there, there are more than a few scenes where you get the sense that the men view Ada as almost secondary. Without going into spoilers, there is a scene where the three interact and it is like they are making decisions for her, without asking her what she is thinking. That dynamic isn’t always readily apperant, but continues through a bulk of the novel.

In between the straightforward narrative chapters, there are also sequences from the characters individual perspectives. What is interesting about these sections is that it appears the characters are at their most vulnerable and open up a lot more. Despite their seemingly normal outside appearances, this is where we learn some of their darkest secrets and desires and events that shaped them into the people they really are. Another interesting thing about these chapters is that at times, they are stripped of any sort of indicator on who exactly the person is talking to at that particular instance. As Ada, Daniel and Neven get closer together, they almost congeal into one person, dependent on each other to satisfy their needs and desires. You are able to piece together who is speaking at any given moment through context clues, but I thought it was interesting that the perspective was blurred and I wonder if it was an intentional choice to show their dependence on one another.

There is something captivating about Runge’s prose and some of that is on her display when she is talking about the country Daniel and Ada have chosen to call home. It seems that Daniel and Ada’s decision to live in a foreign country, away from those that they know places them in an almost sort of isolation. I get the sense that they love living there due to their activities, but that it also makes them feel sort of trapped. This is a great description: “The city as a whole was vast and ugly, its long history razed to a whisper as most of the older building were torn down, replaced with cheap mock-ups or garish modern structures. Even in the calm centre, it was a city insane with contradictions. Rickshaws and Lamborghinis. Neon lights and dusty lanterns. Prada shoes and broken feet. It’s beauty, when revealed, seemed sometimes almost accidental.”

Without spoiling too much of the novel, I have to applaud Runge for the rich layers and complexity of her narrative. There is no denying that these people commit evil acts with no remorse, but there is a definite arc to their story and they undergo radical transformations throughout the course of the novel.

Make no mistake about it, there are some really tough scenes in this book, and I think that is part of why it leaves a lasting impression on the reader. Runge doesn’t flinch at showing these damaged characters and the enormity of their actions. Runge not only explores the psychology of relationships, but also the devastating scars that abuse in all of its forms leaves behind.

I honestly struggled with how to tackle a review of this book. I realize that for various reasons, it may not be for everyone. There is a subtle supernatural element that slowly trickles into the novel until the end when it all comes to a head rather quickly, but that is not where the horror in this story originates. Seeing Double peers into the darkest depths of the human psyche and that can be pretty uncomfortable. That is what really drives this novel. I can’t point to one specific thing that made me fall in love with this book, but it definitely consumed me while I was reading it.

There is no denying that Runge is an exceptionally talented writer and reading her debut was a truly special experience. I love her writing style and the way she was able to truly dive into the psyche of her characters. Never once did I feel the story was dragging in any way and her skill to be able to hone in on three characters and make the reader lose themselves is admirable. If you’re not reading Runge’s work, as a dark fiction fan, you are doing yourself an extreme disservice. Runge has a powerful voice and there is no doubt in my mind that she is going to be a force in the genre. I was absolutely blown away by Seeing Double and I’m definitely going to be a life-long fan of her work. I have a feeling most of you reading this will be as well.

Rating: 5/5

LINKS

Karen Runge’s Official Website

Grey Matter Press’ Official Website

Purchase Seeing Double: Amazon, Barnes & Noble, Grey Matter Press or grab a copy from your favorite bookstore!

About Karen Runge

Karen Runge is a horror writer, sometimes an artist, and teaches adults English as a second language. Several of her short stories have been published in her collection Seven Sins. And two of her short stories appear in Grey Matter Press anthologies Savage Beasts and Death’s Realm. Jack Ketchum once told her: “Karen, you scare me.”