Posts Tagged ‘Guest Post’

Today’s post on The Horror Bookshelf comes from Todd Keisling, the author of Ugly Little Things: Collected Horrors – which is out now through Crystal Lake Publishing– and a ton of other great books. I will be reviewing this in the future, so I won’t get into the book too much, but trust me when I say this is an outstanding book you will want to add to your collection. I reviewed Ugly Little Things – Volume One a few years ago (review) and ended up listing it as one of my top collections of the year. This edition features those stories along with other entries in the Ugly Little Things series and Keisling’s outstanding novella, The Final Reconciliation and I’m positive it will end up on this year’s “Best Of” list. Todd stops by The Horror Bookshelf to share 11 facts about the collection that will give readers a look behind the scenes at what went into crafting this collection.

Before I turn over the blog to Todd, I want to thank him and Erin of Oh, For the Hook of a Book Publicity for having me on the tour!

Ugly Little Trivia: Eleven Facts about Ugly Little Things

By Todd Keisling, author of Ugly Little Things

1: Many of the stories were written while I was suffering through a period of intense depression. The title Ugly Little Things refers to all the dark, nasty things that lurk inside all of us. The stories were my way of facing those demons, giving them names, and exorcising them. Several of these stories seem haunted to me because of this, like little totems representing a particularly dark point in my life.

2: The title Ugly Little Things was originally the title of a story in the collection. That story eventually became “The Harbinger” in order to avoid confusion.

3: The ULT “sessions” began in early 2013 and stretched through the end of 2016, but ideas for several of the stories go back nearly ten years. The aforementioned story, “The Harbinger,” originally began in 2007 as a Lovecraftian mythos tale set in West Virginia; “Saving Granny from the Devil” had multiple beginnings going as far back as 2009; and “House of Nettle and Thorn” was originally conceived in 2004 when I was still in college, with a working title of “Papercuts.”

4: Charles Boid, the antagonist of “Human Resources,” is a recurring character in a couple of unpublished tales involving his communion with an eldritch being that lurks in a digital domain. He may receive a proper story in the future, but for now, he pops up here and there as he pleases.

5: The opening scenes of “When Karen Met Her Mountain” were taken directly from a dream I had.

6: A limited-edition hardcover of the first four stories was printed in 2014 with the title “Ugly Little Things: Volume One.” There were only 45 in total. Henry Rollins has one of them.

7: I am my own worst critic and fully expect everyone to hate what I write. When I gave my wife an early draft of “The Final Reconciliation,” I did so with the warning that she probably wouldn’t like it. As fate would have it, that’s actually her favorite story of mine. Go figure.

8: Sometimes, I see my stories as images in my head. They’re mini-movies, their characters acting and speaking on their own behalf, and I’m just there to record things as they happen.

9: I’m currently at work on a novel titled “Devil’s Creek” that takes place in the hometown of the band from The Final Reconciliation. It’s also has some ties to “The Harbinger.”

10: Many of the events in “Saving Granny from the Devil” actually happened, including Granny seeing a man in black from her living room window.

11: Ugly Little Things: Collected Horrors isn’t a book of “feel good” stories. They’re dark meditations on the human condition, and if you aren’t careful, they’ll cut you in the most delightful of ways. You’re going to have a bad time. You’re going to hurt. And I think you’re going to like it.

Links

Todd Keisling’s Official Website

Crystal Lake Publishing’s Official Website

Purchase Ugly Little Things: Collected Horrors: Amazon, Barnes & Noble, or grab a copy from your favorite bookstore!

Ugly Little Things: Collected Horrors Synopsis

UGLY LITTLE THINGS
Short Story Collection by Todd Keisling
Includes the Novella, The Final Reconciliation
Published by Crystal Lake Publishing

 

THIS IS GOING TO HURT.

 

The eleven stories in Ugly Little Things explore the depths of human suffering and ugliness, charting a course to the dark, horrific heart of the human condition. The terrors of everyday existence are laid bare in this eerie collection of short fiction from the twisted mind of Todd Keisling, author of the critically-acclaimed novels A Life Transparent and The Liminal Man.

Travel between the highways of America in “The Otherland Express,” where a tribe of the forsaken and forlorn meet to exchange identities. Witness the cold vacuum of space manifest in the flesh in “The Darkness Between Dead Stars.” Step into the scrub of rural Arizona and join Karen Singleton’s struggle to save her husband from a cult of religious fanatics in “When Karen Met Her Mountain.” Visit the small town of Dalton in “The Harbinger” and join Felix Proust as he uncovers the vile secrets rooted at the heart of Dalton Dollworks. And in the critically-acclaimed novella “The Final Reconciliation,” learn the horrifying truth behind the demise of the rock band The Yellow Kings.

With an introduction by Bram Stoker Award-winner Mercedes M. Yardley and illustrations by Luke Spooner, Ugly Little Things will be your atlas, guiding you along a lonely road of sorrow, loss, and regret. This is going to hurt—and you’re going to like it.

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Praise for Todd and Ugly Little Things

“Todd Keisling is a born storyteller, drawing the reader into artfully constructed narratives that scout the darker end of the literary spectrum with skill and bravado.  A pleasure to read, his stories linger well after the last page has been turned.  Excellent stuff.” – John Langan, Bram Stoker award-winning author of The Fisherman

“Keisling writes in the shadows, his words like that first long drag on a cigarette after work. I couldn’t help coming back for more, and before I knew it, that one story, that one cigarette, turned into the whole pack.”—Stephanie M. Wytovich, Bram Stoker award-winning author of Brothel and The Eighth.

“In Ugly Little Things, Todd Keisling ventures deep into the dark abyss of cosmic horror. What he finds there—or what’s found him—will terrify you. This varied collection is tailor-made for fans of existential dread. Prepare to face the void. Try not to scream.”—Brian Kirk, Bram Stoker Award-nominated author of We Are Monsters.

“Todd Keisling’s promise delivers with Ugly Little Things. The only time you will dare to look away from the page is when you stop to look over your shoulder. He’s earned his right to sit on the shelf alongside King, Koontz, and Ketchum.” –Eryk Pruitt, author of Dirtbags and What We Reckon.

“Todd Keisling’sUgly Little Things contains 11 tales that sing with lyricism while they move the reader with suspenseful, clever, humorous and often wonderfully elegiac developments. The author has a keen, lucid understanding of suffering, which lends each plot-line extra heft and depth. These stories contain tenderly and humanely rendered characters who are drawn towards various forms of uncanny annihilation. After reading this excellent collection, I’m eagerly awaiting whatever Keisling produces next.” –Jon Padgett, author of The Secret of Ventriloquism

“One of the few perfect story collections I’ve ever read. Todd Keisling will keep you guessing page after page. He also has a knack for surprise endings you will not see coming!” – Armand Rosamilia, author of the Dying Days series

“Keisling always gets down to the essence of good storytelling. His no-nonsense approach arrests us, showing us worlds and characters that expand our imagination, leaving it tainted with horrors only the author can deliver. These stories are a testament to one of the bravest and scariest new voices in horror fiction.” —Ben Eads, author of Cracked Sky.

“Herein lie stories told in the traditional manner of spooky tales told round the campfire. Read this collection on a dark and stormy night and don’t answer the door if someone knocks.” —Kristi DeMeester, author of Beneath.

“A soundtrack to darkness, Ugly Little Things is hauntingly inviting and absolutely horrific. Keisling deftly weaves together a web of genre-bending terror in this must read collection.” – Michelle Garza, co-author of the Bram Stoker nominated Mayan Blue

 

About Todd Keisling

TODD KEISLING is the author of A Life Transparent, The Liminal Man (a 2013 Indie Book Award Finalist), and the critically-acclaimed novella, The Final Reconciliation. He lives somewhere in the wilds of Pennsylvania with his wife, son, and trio of unruly cats.

Facebook

Twitter: @todd_keisling

Instagram

 

Want to Feature?

If you’d like to feature Todd in an interview or guest article, or review Ugly Little Things, please contact Erin Sweet Al-Mehairi, Publicist, at hookofabook@hotmail.com

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Today’s post on The Horror Bookshelf comes from Jason Parent, the author of the dark, brutal thriller A Life Removed – which is out now – and a ton of other great books. I have a review scheduled for tomorrow, so I won’t dig too much into the novel, but if you are familiar with Jason’s work, you will love this one. Jason’s post is a follow-up piece to the guest post from Stuart R Brogan on publishing. Both authors make great points and I recommend checking out both of them for some insight on their experiences in publishing.

Before I turn over the blog to Jason, I want to thank him and Nev of Confessions Publicity for having me on the tour!

Early in May, Stuart R. Brogan, author of Jackals, wrote a guest post for The Horror Bookshelf entitled, “Going It Alone,” in which he explained why he chose to self-publish instead of going the traditional or small press route. I enjoyed the article and even commented on it at the time, not realizing I would be doing a guest post for the same blog a month or so later.

First let me say this: I don’t think any author being honest with himself/herself would balk at a book deal with one of the Big 5 if he/she has never had such a deal before. To have one’s books in brick and mortar stores all over the U.S. or U.K., maybe in bookstores on several continents, is a dream most authors share, not necessarily for the fame or the (perceived) money, but to be read and to know that one’s words are being felt, enjoyed, pondered, and maybe even considered and dismissed by readers everywhere. At least for me, that’s all I want: for others to find meaning in my work, and if it’s a whole lot of others, then I know I am not alone in my beliefs and world views.

But only a select few horror authors are actually published by the Big 5, and a few more if you count those that pass off their horror as “thrillers” (not that I know anyone who would ever combine horror and thrillers, wink wink, nudge nudge). Many of the best, most popular, and most critically acclaimed horror writers have never had a deal with the Big 5.

So, I don’t waste my time and don’t really have the time to waste. I would need to find an agent, be prepared to market the book strenuously, both on the publisher’s and my own schedule, and give up a whole lot for potentially big but more often than not, little gain. Just finding an agent takes a ton of research, the sending of query after query, and hours upon end that could have been spent writing. That is not to say that the right agent would not be a boon for a writer’s career, and a great agent always will be. I had an agent once, and though it didn’t pan out to anything, I do not regret the experience and would undertake it again if the right circumstances arose.

But for most small presses, where my books find their homes, I have not needed an agent. Again, good agents open up more doors, so they can be very helpful. In the small press world, they are simply not a necessity.

Which brings me to why I choose small presses over self-publishing. Without the guidance of an agent or other business professional, I’d be a mess. The road to publication would be much longer as I lack the know-how with respect to formatting, cover art, and other aspects of book creation that the small press brings to the table. For those with this know-how, like Mr. Brogan, self-publishing may be the right way to go, as the author maximizes his royalties, though while simultaneously bearing the burden of all costs.

I’ve been published by several small presses now, and I have turned down a few others. Different presses have different strengths and weaknesses, but all should provide quality editing, a decent royalty split and strong cover art. Never should they charge the author any sort of fee. They provide varying degrees of promotion as well, some having publicists or setting up blog tours, while others submit to Net Galley or book promotion sites. With more hands in the pot wanting the book to succeed, it would stand to reason that there’d be more people desirous of putting out quality work.

Obviously, if one self-publishes, he or she goes all these routes alone. The quality of the work he or she produces depends on the extent of his/her knowledge, integrity, and commitment to producing a work worthy of the reader public and that of the persons he or she enlists to assist.

What is better for one may not be better for another, and there are good and bad small presses just as there are good and bad self-publishers. For my needs, and sometimes overwhelming schedule, the single most important plus with respect to small publishers is the time it saves me after the writing and editing are done.

For now, I am happy where I am and with the small presses I have chosen (and who have likewise chosen me) to work with. That said, the future is a hazy thing, and I could easily see myself self-publishing or rolling the dice on an agent with a novel I think a good fit with a Big 5 publisher. Of course, any agent or Big 5 publisher that wants to seek me out, make like the Price is Right and come on down!

LINKS

Jason Parent’s Official Website

Red Adept Publishing’s Official Website

Purchase A Life Removed: Amazon, Barnes & Noble,  Red Adept Publishing or grab a copy from your favorite bookstore!

A Life Removed Synopsis

Detectives Bruce Marklin and Jocelyn Beaudette have put plenty of criminals behind bars. But a new terror is stalking their city. The killer’s violent crimes are ritualistic but seemingly indiscriminate. As the death toll rises, the detectives must track a murderer without motive. The next kill could be anyone… maybe even one of their own.

Officer Aaron Pimental sees no hope for himself or humanity. His girlfriend is pulling away, and his best friend has found religion. When Aaron is thrust into the heart of the investigation, he must choose who he will become, the hero or the villain.

If Aaron doesn’t decide soon, the choice will be made for him.

About Jason Parent

In his head, Jason Parent lives in many places, but in the real world, he calls New England his home. The region offers an abundance of settings for his writing and many wonderful places in which to write them. He currently resides in Southeastern Massachusetts with his cuddly corgi named Calypso.

In a prior life, Jason spent most of his time in front of a judge . . . as a civil litigator. When he finally tired of Latin phrases no one knew how to pronounce and explaining to people that real lawsuits are not started, tried and finalized within the 60-minute timeframe they see on TV (it’s harassing the witness; no one throws vicious woodland creatures at them), he traded in his cheap suits for flip flops and designer stubble. The flops got repossessed the next day, and he’s back in the legal field . . . sorta. But that’s another story.

When he’s not working, Jason likes to kayak, catch a movie, travel any place that will let him enter, and play just about any sport (except that ball tied to the pole thing where you basically just whack the ball until it twists in a knot or takes somebody’s head off – he misses the appeal). And read and write, of course. He does that too sometimes.

Please visit the author on Facebook at , on Twitter, or at his website for information regarding upcoming events or releases, or if you have any questions or comments for him.

 

Today’s post on The Horror Bookshelf comes from Stuart R Brogan, the author of the brutal thriller Jackals which is out now. I have a review scheduled for tomorrow, so I won’t dig too much into the novel, but Jackals is a very impressive debut. This was the first work of Brogan’s that I was able to read, but I left very impressed and I look forward to reading more of his work in the future! Brogan’s post is about his thoughts on self-publishing and his experience with it when it comes to his own writing.

My own personal thoughts are that while I have no issue with major publishers or horror titles that are released through one of the major publishers or affiliates, I have to say some of the best horror fiction I have read since starting this blog (or even before) has come from independent presses and self-published authors. Brogan makes some good points about how some self-published books can be sloppily put together, but I know of a ton of authors who have gone into self-publishing and done an incredible job.

Before I turn over the blog to Stuart, I want to thank him and Nev of Confessions Publicity for having me on the tour!

Going It Alone

By Stuart R Brogan

A seismic shift has occurred within the publishing world over the last few years. Many of the big players within the industry have battened down the hatches and tightened their belts with regards to the number of new books released and the new authors they take on. Even those eagle-eyed literary agents searching for the next big thing have cut back regarding new clients, thus the hopes of many an author securing that dream deal have been pretty much dashed. But should we retreat and sob into our cereal bowls and hurl abuse to anyone that will listen regarding the injustice of it all? Or is there another way to attain that craved recognition regarding our work, regardless of the genre we dabble in?

For many years, the term “Self-Publishing” was looked upon with disgust. The mere mention of those two words was only whispered among the echelons of literary power and deemed a “Vanity” rather than a viable publishing platform. However, it seems that now the whole world and his/her dog is involved in it to some degree, proving that it is a monster that shows no sign of retreating any time soon.

Let’s be brutally honest, self-publishing is a veritable minefield. It is a double-edged sword that can destroy a career before it even begins, or catapult an unknown author into Bestseller-Dom. One only has to trawl the most popular sites to witness the vast array of titles vying for our attention, most of which are subpar for even the most ardent fan. It is a sad fact that the internet is awash with ebook’s and trade backs that suffer from horrendous formatting, editing, cover design and a whole host of other issues. It would appear this new technology has unleashed a tidal wave of authors, all clinging to the dream that their book is bound for Hollywood.

But herein lies the problem. With such a sea of titles, how can we make ourselves stand out from the crowd? In essence, we are just one blade of grass in a field of green, all competing for that one shot and trying to secure our name as a quality brand.

The cold hard truth is that ninety-nine-point nine percent of self-published authors will sell next to no books; even fewer will catch the attention of a “big name” agent/publisher. Even less still, will be able to make a living from it. Even the big boys have noticed a dramatic change in our reading habits. When once it was acceptable to sell “X” amount of books when released, it has now diminished to half that number. So, you see, even THEY are worried regarding sales figures and look what kind of media/promotional machines they have behind them. What chance do we have?

But hold your horses; we have a few things that can work in our favour. For one, we have the tenacity to dance to our own tune and behold to no-one. Secondly, we have total control over content / rights and the marketing plan and thirdly, we have the passion to become better and to push ourselves. Without the corporate machine pushing us, we are reliant on our own resolve and determination to propel our career forward. This, of course, is down to our own individual level of dedication; some may flourish under such pressure while others may fold.

I myself tried to obtain that elusive agent to take me on with the hopes they could find me a home, and while I got excellent feedback, I had no takers. But before you call me a failure, I would like to state that looking back, it was a great thing because it galvanized me into action.

I would do it myself damn it and see what happens. Of course, I have faith in my work, but going at it alone was as scary as it was exciting. I have to say, I have been lucky to have made contact with some truly fantastic people within my genre. To be honest, I thought that it would be a dog eat dog scenario but I am glad I was proved wrong because instead of polarising authors, self-publishing has brought us together. Everyone helping each other and spreading the word. I was amazed by the openness shown to me and I am truly humbled by the advice and help given. It is something I shall never forget.

Don’t get me wrong I am not selling millions of books (not yet anyway) but have slowly got my name out there amongst those who matter. I have to say that I was (contrary to my earlier statement) amazed by how many big-name authors have left or turned down deals with major houses to go it alone. It would seem that being signed to a big boy isn’t all that it is cracked up to be. Some of them seem to be doing very well in terms of making a living and all because of going at it alone.

So, there you have it. Self-publishing is either a gift or a curse depending on how you approach it. Will you curl up in a little ball, scared of rejection or will you stand on your own two feet and go for it? I know what I would do.

In fact, I’m doing it!

Until next time…

LINKS

Stuart R Brogan’s author Facebook page

Purchase Jackals: Amazon and Barnes & Noble

Jackals Synopsis

From the aftermath of a brutal massacre at a rural police station, two survivors leave behind a swathe of bodies and a cryptic sigil painted on the wall, in blood.

A disgraced Detective Inspector begrudgingly starts to investigate the crime scene but as the facts begin to emerge the trail appears to lead into the highest echelons of power, making the policeman himself the next target.

As the conspiracy spirals ever deeper and with no-one to trust, both prime suspect and policeman are forced into an unlikely alliance to prove, not only their innocence, but the existence of a force so ingrained into our society, it could rewrite the very fabric of human nature.

About Stuart R Brogan

 Stuart R Brogan is a former nightclub bouncer and unwaveringly proud Heathen who loves nothing more than expanding people’s minds with Pagan related Non-Fiction or blowing people’s brains out with fast paced, gut wrenching, thrilling horrors.

Harley lover, extreme metal drummer and avid movie nerd, Stuart has never followed the crowd but instead carved his own path and danced to his own tune. Since his early years, Stuart found escapism in both the written word and the silver screen. A huge fan of 80’s Action / Horror movies such as The Thing, Aliens, Predator & Die Hard and literary heroes such as Shaun Hutson, Clive Barker, Richard Layman and Brian Lumley, Stuart endeavours to bring an unapologetic cinematic eye to his fiction in the hopes of rekindling his childhood sense of wonder, all whilst blowing through vast amounts of ammunition down his local shooting range.

Stuart currently resides in Glastonbury, UK with his long-suffering wife and man eating Shih-Poo dog “Poppy” where he co-owns a kick ass Viking / Asatru shop, fiercely named “Shield Maiden”.

Today’s post on The Horror Bookshelf comes from John Quick, who I featured quite a bit over the summer. I reviewed his debut novel Consequences, which is based on a real-life serial killer legend from his hometown. One of the things that I really loved about Consequences was that it was written in a style that is reminiscent of vintage slasher films and featured well-developed characters and a vicious premise. In case you missed my full review, you can check that out here. I also got to have an interesting conversation about the inspiration and history behind Consequences and some of his upcoming projects.

John has a new short story collection out now called Three Shots and a Chaser and it is one I am looking forward to reading! Consequences was an excellent debut and there is no doubt in my mind that John is going to have a bright future and I can’t wait to check out his upcoming release for Sinister Grin Press. Check out this guest post from John and then enter the giveaway for a chance to win a signed print copy of Consequences. The sale on Consequences ends tomorrow, so for all you late night readers snag a copy before the sale ends!

From Slasher Novel to Short Story Collection: Enter to Win Debut Novel CONSEQUENCES

By John Quick

three-shots consequences

2016 has been a strange year, both rough and rewarding by turns. I am pleased to announce that my second release, a short-story collection called Three Shots and a Chaser, is now available in both digital AND print editions!

If you’ve read my first work, Consequences, you experienced brutal, bloody horror in the style of the old slasher movies from the eighties, only told in my own way. But that’s not all there is to me; this collection demonstrates that quite clearly.

Here, you’re going to find a more subtle horror than I did before, horror not only of sight and sound, but of mind. And if you heard Rod Serling say that line, well, you’re on the right track. See, this time, it’s not Jason or Freddy or Michael or Pinhead that influenced me. Instead, it’s a Twilight Zone, reaching for The Outer Limits, and telling a few Tales from the Darkside.

While the stories here are still based in horror, there’s more than just horror, too. There’s a bit of a sci-fi bent, a little fantasy. Add a hint of the supernatural, and a dash of my normal dark humor, and you’ve got some idea of what you’re in for. There’s even a bit of that old-school anthology feel, where there’s a story around the stories, too. For that idea, though, I have to credit Patrick Rothfuss and the Kingkiller Chronicle for showing how it can be used this way.

Basically, this is something different, something to show I am more than a one-trick pony. And honestly, while I’m a bit nervous about trying something so vastly different from what I’ve done before, I’m also excited as all get-out for everyone to read these tales!

I’m celebrating, but it’s YOU who gets the reward! In honor of this collection’s release, not only is Consequences going on sale, but I’ll be giving a copy to one lucky person! So take the chance; if you haven’t read it already, here’s your opportunity to do so. I suggest you read it alongside Three Shots and a Chaser, see for yourself the range of my creative insanity. I’m curious which one you prefer: fast and bloody, or subtle scares!

Either way, if you enjoy yourself, if you lose an afternoon or two in the worlds I’ve created, then my mission is accomplished. Just don’t lose yourself too much… you’ll want to be around for what comes next!

Enter the GIVEAWAY for a Print Copy of Consequences!

http://www.rafflecopter.com/rafl/display/231aa30b33/?

Purchase the e-copy on sale!

You can purchase CONSEQUENCES at https://www.amazon.com/dp/B01E6B9ZV8

Three Shots and a Chaser, Synopsis

Three twisted tales to tempt your palate…

A man who drives the back roads looking for something interesting finds more than he bargained for….

A woman with a very special gift for her husband on their wedding day….

A couple headed for the beach who find themselves tasked with a responsibility they never anticipated….

These are the tales told by the patrons of the Last Hope Bar, a way for them to pass the time while waiting for another new face, someone looking for a drink, or a place to wait out a storm, or just someone unlucky enough to be in the wrong place at the wrong time.

Someone like you, perhaps?

Step right on in, have a seat at the bar, and order up THREE SHOTS AND A CHASER.

You can purchase THREE SHOTS AND A CHASER at https://www.amazon.com/dp/B01M2ZITNS

About John Quick

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John Quick has been reading and writing scary and disturbing stuff for as long as he can remember, and has only recently begun releasing some of his creations upon the world. He is the author of the novel Consequences and theshort story collection Three Shots and a Chaser. His work has also appeared in the Full Moon Slaughter anthology from JEA Press. His second novel, The Journal of Jeremy Todd is due for release from Sinister Grin Press in the summer of 2017.He lives in Middle Tennessee with his wife, two kids, and four dogs that think they’re kids. When he’s not hard at work on his next novel, you can find him online at www.johnquickfiction.com,  Facebook at johnquickbooks, Twitter @johndquick, and Instagram at johndquick.

 

Today’s post on The Horror Bookshelf comes from David Bernstein, who is currently promoting his diverse and highly entertaining short story collection A Mixed Bag of Blood (review), which is out now through Sinister Grin Press. I loved reading this collection, the diversity of the stories guarantee that there is never a dull moment throughout the 86 pages that make up A Mixed Bag of Blood. David’s post takes a look at the troubling trend of characters making baffling choices in a story and how authors can write themselves into a corner. I can definitely relate to what David is saying. It happens more with the TV shows that I watch, but I am sure I get on my wife’s nerves when I say something along the lines of,  “You know, if those characters would have just done this….”. Usually its a solution that would have cut an hour-long episode down to roughly ten minutes.

Before I turn over the blog to David, I want to thank him and Erin Al-Mehairi of Hook of a Book Media & Publicity for having me on the tour!

Don’t Treat Your Audience Like They’re Morons

By David Bernstein

mixed_bag_blood_PB

Have you ever read a book or watched a movie where the characters did something so ridiculously stupid you turned off the television or chucked the book across the room? Characters making stupid decisions seem to be happening more and more. I like to call it dumbed down writing, or writing yourself into a corner. More and more writers are treating their audiences like morons and I’m tired of it.

For example, I was reading a book, and really into it, when the characters did something that I just couldn’t get past. A bad guy was holding a gun on three people. He’d been after them for most of the book. One of the three people managed to clobber him on the head with a pipe and knocked him out. His gun slid a few feet away. Now what do you think happened next? Did one of them pick up the gun? Shoot the bad guy dead? Tie him up? Nope. They simply turned and ran away. And you know what the bad guy did? He woke up, picked up his gun and the chase continued. I was like—WHAT? Why wouldn’t the people at least pick up the gun. Why leave it there? Even if they were anti-gun nuns who would never kill. Why just run away? Because the author wanted to continue the story and had written himself into a corner and said to himself that the audience will buy it because they’re stupid.

Another case: I was watching a TV show where a bad guy was holding a gun on two people. One of the two people had a German Shepherd with him. The bad guy also had a friend with him, but with no gun. One of the good guys manages to grab a shovel and knock out the friend of the gunman. The dog is sicced on the gunman and latches onto his arm and starts gnawing on him. The gun is dropped and tumbled a few feet away. So what do the characters do? Pick up the gun? Knock out the guy who is fighting the dog? Tie up the bad guys? Nope. Not only do the good guys run away, the dog owner calls the dog off and tells it to run. Why? Because the writer wanted to continue the story. Why didn’t one of the good guys pick up the gun? Help the dog? They could have called the cops while keeping the gun trained on the guy. The show should’ve ended there. And do you know what the bad guy did after the good guys ran away? He picked up the gun and shot one of the fleeing good guys. Then the chase continued. For me, this is a complete turn off. I will stop watching a TV show that does this. It tells me the writer, editor, producer and all else involved think very little of the viewers.

This may seem like a rant, and it is, but I would also like to get people to stop accepting this sort of bullshit. Make a writer work and believe that his audience is intelligent. And as writers, we shouldn’t be doing this sort of garbage. Cheap thrills to progress a story that should’ve ended at that point are silly. And if you don’t want to end your story, then don’t write scenes like the above. Treat your readers/viewers like they have a functioning brain. I’d sooner believe a man can fly or lift a house over his head before making the kind of decisions the above characters made.

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LINKS

David Bernstein’s Official Website

Sinister Grin Press’ Official Website

Purchase A Mixed Bag of Blood: Amazon, Barnes & Noble, or your favorite bookstore!

A Mixed Bag of Blood tour graphic (1)

Use these hashtags to help spread the word about A Mixed Bag of Blood! – #AMixedBagofBlood #DavidBernstein #shortstories #horrorstories

A Mixed Bag of Blood Synopsis

From a man seeking vengeance for a dead loved one, to a monster lodged in a person’s nose, to starving vampires and samurai battling zombies, a bully meeting his gruesome demise, along with prostitutes being sacrificed, a boy who refuses to stop swearing, and the consequences of one man’s night of unprotected sex comes a dark and disturbing collection of sinister tales filled with dread, bloodshed, humor and the bizarre.

This is a Mixed Bag of Blood.

Praise for A Mixed Bag of Blood

“Dave Bernstein let his mind wander and his pen write where I know you’ll want to read. With an introduction by Kristopher Rufty, this is a reason to stay at home and read on a pleasant Saturday afternoon like I did.” –Cat After Dark

 Praise for David Bernstein

“David Bernstein delivers a fast-moving tale of desire and destruction that gives new meaning to the words, ‘Be careful what you wish for.’ Relic of Death twists reality and will leave you reflecting on your own personal Achilles heel long after you finished reading…” —Allan Leverone, author of Mr. Midnight

“A fascinating, unpredictable, ever-shifting tale of greed and desperation. Highly recommended!” —Jeff Strand, author of Pressure

“Fast-paced, cinematic, and excellent. Horror fans gather around, it’s time for another chilling tale from David Bernstein.”  —Keith Deininger, author of Within and Ghosts of Eden

“A harrowing, brutal thriller, Skinner is Bernstein at his best!” —Peter Giglio, author of Shadowshift

About David Bernstein

david bernstein

David Bernstein is originally from a small town in Upstate New York called Salisbury Mills. He now resides in NYC and misses being surrounded by chainsaw-wielding maniacs and wild backwoods people that like to eat raw human flesh. He’s grown used to the city, though hiding bodies is much harder there. He is the author of Amongst the Dead, Damaged Souls, The Tree Man, Witch Island, Relic of Death, Apartment 7C and the forthcoming Episodes of Violence. David writes all kinds of horror, from hair-raising ghost stories to gore-filled slashers and apocalyptic tales of terror. He loves hearing from his readers. You can reach him on Facebook, athttp://www.facebook.com/david.bernstein.3. Visit him at his website: davidbernsteinauthor.blogspot.com email dbern77@hotmail.com, or on Twitter at @Bernsteinauthor.

Today’s post on The Horror Bookshelf comes from C.M. Saunders, who is currently promoting his new novel Sker House, which is available now through DeadPixel Publications. I am excited to have Saunders on the site as I loved his novella Out of Time (review) and his riveting story of psychological horror “The Elementals and I” that appeared in Grey Matter Press’ Dark Visions – Volume Two. Saunders’ post takes a look at the practice of “wrecking” and the role it played in the history of the real-life Sker House. I love history, so I really enjoyed this post and learned a lot about the practice of wrecking, which is something I didn’t even know about. Wrecking plays a significant role in the novel and I look forward to reading how Saunders’ incorporates it into what sounds like a truly creepy haunted house story!

The Wreckers 

By C.M. Saunders, author of Sker House

SKER-OPTION3_SMALL

Every country has elements of its history it would rather forget. A black mark against Wales would be the unsavoury practice of ‘wrecking,’ deliberately luring passing ships to their doom, which was rife during the 17th and 18th Centuries. In fairness, it didn’t just happen in Wales. It was prevalent in most, of not all, coastal areas of Britain, and probably elsewhere in the world. However, one location in Wales that will be forever linked with wreckers is Sker House, a large, isolated mansion in Kenfig, Glamorgan.

sker house

During the Industrial Revolution, the Bristol Channel, the stretch of water Sker House overlooked, was one of the busiest waterways in the world, carrying a steady stream of vessels between Britain and the Continent. It was also one of the most perilous. As well as the strong currents and ever-shifting hidden sandbanks, the submerged bank of rocks known as Sker Point could literally tear ships to pieces. At that time, smuggling and looting were considered legitimate (if not lawful) enterprises, and shipwrecks were so common in the area that they were seldom investigated in any depth. Local landowners routinely claimed ‘Right of the Wreck’, whereby they were legally free to salvage whatever ‘lost’ cargo happened to wash up on their property. This is why some less scrupulous locals were said to engage in wrecking, which they usually achieved by tying lanterns to cattle or grazing sheep and leading them along the seafront at night. From a distance, especially to unfamiliar eyes in bad weather, the lights would look like those of ships lying safely at anchor. The captain would steer a course for the lights, only to run his ship aground. A cautionary tale often told is that of the Welsh wrecker who helped lure a passing ship onto rocks, killing everyone on board. While he busied himself looting the ship’s cargo, the bodies of the unfortunate passengers and crew were brought ashore for burial. Only then did the wrecker see the body of his own son who was returning home unexpectedly after a long voyage.

A pivotal event not just in the history of Sker, but in the practice of wrecking as a whole, occurred on December 17th 1753, when the French merchant ship Le Vainqueur was en route from Portugal when she struck Sker Point. It is generally held that then-owner of Sker House Isaac Williams and his cohorts were responsible for its untimely demise on Sker Point. No sooner had the ship hit the rocks, impoverished locals and respected nobility alike descended on the wreck like vultures and plundered it for all it was worth, stealing her cargo of fruit, rifling the bodies of dead sailors, and even setting fire to what was left of the ship in order to recover the iron nails that had once held it together.

Due to the delicate diplomatic relations between Britain and France at the time, the fate of Le Vainqueur was treated as a serious international incident. In the aftermath, no less than 17 people were arrested, including Isaac Williams himself, who was at the time an influential local magistrate. When questioned, he claimed to have stored goods from the wreck found in the cellar of Sker House there for safekeeping. Remarkably, he never went to trial, but his reputation was tainted forever and he died a ruined man. Of those who did go to trial, one wasn’t so lucky and was hanged by the Crown to set an example to others. In the years since wrecking was abolished, countless witnesses claim to have seen ghostly ships off Sker. Also frequently spotted is a solitary light hovering over Sker Point. Locally, this is taken to be a prelude to bad weather, but is eerily reminiscent of the Canwyll Corph, a well-known Welsh portent of death.

And that’s not all, whether connected to wrecking or not, over the years Sker House has gained a reputation for being one of the most haunted locations in Wales. It’s most famous ghost is the Maid of Sker, Isaac Williams’s daughter, who he allegedly imprisoned at the house until she agreed to marry the man of his choosing. Local legend insists that she never left. There have also been numerous reports of shadow figures, poltergeist activity, strange howls, and a crushing sensation of dread felt by visitors.

LINKS

C.M. Saunders’ Official Website

DeadPixel Publications Official Website

 Purchase Sker House on Amazon 

Sker House Synopsis

Dale and Lucy are two students with a fascination in the supernatural. One weekend, they travel to Sker House, South Wales, a private residence with a macabre history which has recently been converted into a seaside inn. They plan to write an article for their university magazine about a supposed haunting, but when they arrive, they meet a landlord who seems to have a lot to hide. Soon, it becomes apparent that all is not well at Sker House. An air of oppression hangs over it, while misery, tragedy and ill-fortune are commonplace. Gradually, it becomes clear that the true depth of the mystery goes far beyond a mere historical haunting. This is a place where bad things happen, and evil lurks.

Little by little Dale and Lucy fall under Sker’s dark spell, and as they begin to unravel the mysteries of the past, they realize that nothing stays buried forever.

Welcome to Sker House, a place where past and present collide.

About C.M. Saunders

cmsaunders

New Tredegar-born C.M. Saunders began writing in 1997, his early fiction appearing in several small-press titles. Following the publication of his first book, Into the Dragon’s Lair – A Supernatural History of Wales (2003), he worked extensively in the freelance market, contributing to over 50 international publications including Fortean Times, Loaded, Record Collector, Forever Sports and Nuts. In addition, he has written several novellas and had over thirty short stories published in various magazines, ezines and anthologies. He taught English and creative writing in China for five years, before settling in London where he works as a writer and editor in the sport, fitness and men’s lifestyle sectors. His latest release is the fact-based novel Sker House on DeadPixel Publications and he is represented by Media Bitch literary agency.

Today’s post on The Horror Bookshelf comes from Brian Kirk, the author of the psychological horror masterpiece We Are Monsters (review) which is out now through Samhain Horror. I was hooked on We Are Monsters from the very first page and was highly impressed with Kirk’s complex characters, reality-warping plot and stunning prose. This is one of the most impressive debuts I have read and easily my favorite book of 2015. Kirk’s post takes a look at what makes a human monster and the questions that helped him create We Are Monsters. We Are Monsters is a truly remarkable book and I hope this post encourages you to grab a copy and experience the journey for yourself!

Before I turn over the blog to Brian, I want to thank him and Erin Al-Mehairi of Hook of a Book Media & Publicity for having me on the tour. Be sure to follow the rest of the tour dates and enter the giveaway at the end of the post for a chance to win a $25 Amazon gift card!

What Makes a Human Monster

By Brian Kirk, Author of We Are Monsters

we are monsters

Most horror stories feature a monster of some sort. Oftentimes this is a supernatural creature divined from some malevolent origin intent on causing death and destruction. What’s interesting about these stories is how the humans typically defeat these monsters in the end, implying, whether intentionally or not, that we are actually the scarier and more ferocious of the two creatures at war. We are more intelligent, more cunning, more ruthless and relentless. We are the superior killers.  

Perhaps that’s why I’m so fascinated with monsters of the human variety, and spend perhaps more time than I should studying them. Let’s think about this for a second, who are the most dangerous among us? The ones who commit the vilest and most barbaric acts?

Politicians, you say? Oh, you’re killing me!

Seriously, though. If I were to create a list (so saying as I proceed to create a list) of the most heinous of our kind, I’d include the following, in no particular order: pedophiles, serial killers, rapists, and cannibals.

These are the people you definitely don’t want living next door. But who are these people? How did they get this way? What turns an innocent toddler into a monster that feasts on human flesh?

It’s difficult to say. Some of it’s nature, some of it nurture. Some people are born with abnormal brains, while others have their minds altered through prolonged exposure to trauma or violent environments. One thing that may be safe to say is that no one grows up wanting to become one of these perverted, and violent predators. I don’t think anyone with a normal, healthy brain and upbringing consciously decides to begin engaging in these acts rather than, say… go to dental school.

It’s an innate calling, an urge. An irresistible compulsion that defiles our dream that we’re all basically good. That evil does not exist in this world. That we’re more than hairless monkeys born of violence and blood-thirst.

What do we think when we see violent and heinous acts? When deranged killers walk into elementary schools and gun down innocent children? Evil is what comes to mind, isn’t it? Insane.

But not insane like an illness. Insane like a demonic possession.

I wonder about that. Is insanity more like an evil possession, or more like a disease?

Some may say, “Who cares. What’s the difference? The acts are evil and should be punished.”

While I absolutely agree that people with irresistible pedophiliac urges cannot be allowed to roam freely in society, I wonder what should be done with them. What if, instead of being deviant predators, these people were otherwise normal human beings afflicted with a disease or deformity that could be corrected or cured? What if it was your brother who inexplicably had these urges, or your son?

Let’s say we could identify and diagnose the people with this disease before they ever acted upon its urge. Would we send them to prison? Would we kill them? Or would we quarantine them while we worked to develop a cure? The same way we would treat someone who inadvertently contracted small pox and was now a health hazard to the rest of humanity.

Heck if I know. I’m just intrigued by the question. I’ll tell you this, though. If the urge to harm others is, at times, caused by a “disease” or deformity of the brain, much like how the mutation of a cell can lead to cancer, it is by far one of the worst diseases that can afflict an individual. And its contagion is among the most damaging to society as a whole.

These are difficult questions involving an uncomfortable subject. They are questions that inspired the nature of my debut novel, We Are Monsters.

In We Are Monsters, a troubled, yet brilliant psychiatrist is working to develop a cure for schizophrenia. At first, the drug he creates shows great promise in alleviating his patient’s symptoms. It appears to return schizophrenics to their former selves. But (as you may imagine) something goes wrong. Unforeseen side effects begin to emerge, forcing prior traumas to the surface, setting inner demons free. His medicine may help heal the schizophrenic mind, but it also expands it, and the monsters it releases could be more dangerous than the disease.

This novel asks challenging questions. As the venerable review site, Ginger Nuts of Horror said, “Parts of the story are heartbreaking, parts will make you angry, and the whole story will have you examining the human race as never before.”

But I believe they are questions worth asking. I hope you’ll check it out.


Purchase We Are Monsters: AmazonSamhain PublishingBarnes and NobleKoboOmnilit 

Thanks for having me on your site! Here’s my contact info in case anyone is interested in forming a virtual friendship.

Brian Kirk

 Twitter

 Facebook

 Goodreads

We Are Monsters tour graphic (1)

This guest post originally appeared on Hunter Shea‘s blog. Hunter is an incredible writer and another one of my favorite authors, be sure to check out his books too!

Use these hashtags to help spread the word about We Are Monsters! – #WeAreMonsters #asylum #mentalhealth #psychologicalhorror

We Are Monsters Synopsis

The Apocalypse has come to the Sugar Hill mental asylum. 

He’s the hospital’s newest, and most notorious, patient—a paranoid schizophrenic who sees humanity’s dark side.

Luckily he’s in good hands. Dr. Eli Alpert has a talent for healing tortured souls. And his protégé is working on a cure for schizophrenia, a drug that returns patients to their former selves. But unforeseen side effects are starting to emerge. Forcing prior traumas to the surface. Setting inner demons free.

Monsters have been unleashed inside the Sugar Hill mental asylum. They don’t have fangs or claws. They look just like you or me.

Praise for Brian Kirk

“Keep an eye on Brian Kirk. His ambitious debut, We Are Monsters, is a high-voltage thrill, like watching Sam Fuller’s Shock Corridor and Joel Schumacher’s Flatliners on split screens. ” — Jonathan Moore, Bram Stoker Award nominated author of Redheads

We Are Monsters is fantastic — a frightening and intense thriller and one hell of a debut novel. I was blown away. Brian Kirk is exactly what readers need — a talented new voice with original, awe-inspiring ideas that can push the genre forward.” 
Brian Keene, best-selling author of Ghoul and The Rising

“Brian Kirk’s debut We Are Monsters is a smart, elaborate novel that weaves together the best and worst of us. Complex, terrifying, and still humane, this book moved me to both horror and compassion, and that’s a difficult thing indeed. Easily the best book I’ve read this year.”  – Mercedes M. Yardley, author of Pretty Little Dead Girls: A Novel of Murder and Whimsy.

“A tightly woven tale from an author who has a heart, and that makes me excited to see what else Kirk has in store for us. The whole story will have you examining the human race as never before.”  – Ginger Nuts of Horror

“Brian Kirk’s debut novel We Are Monsters is a sure bet. A hippy-trippy jaunt that goes deep into the baser things we keep bottled up… and what happens when they’re freed. Highly recommended!”  – John F.D. Taff, Bram Stoker nominated author of The End In All Beginnings.

“A disturbing, gets-under-your-skin debut novel. I expect to read much more from Kirk in the future.” – Robert Ford, author of The Compound and Samson and Denial.


“Cleverly told. Psychologically complex.” Scarlet’s Web

“A gorgeous display of conceivable terror that resonates long after reading.”  – Ranked as one of the Top Ten Horror Novels of 2015 by Best-Horror-Movies.net

About Brian Kirk

brian kirk

Brian Kirk lives in Atlanta with his beautiful wife and rambunctious identical twin boys. He works as a freelance writer in addition to writing fiction, and is currently working on the second book in a planned trilogy. We Are Monsters is his debut release. Feel free to connect with him online. Don’t worry, he only kills his characters.

See more about Brian at: http://briankirkblog.com/ 

Follow Brian on Facebook and Twitter. He’s found on Twitter at @Brian_Kirk and looks forward to connecting with you.

Giveaway

Click the rafflecopter link below and enter to win a $25 Amazon gift card from Brian Kirk! You can perform several tasks for entering each day here or at each stop that posts the giveaway link. Best of luck!

http://www.rafflecopter.com/rafl/share-code/MjMxYWEzMGI1ZDE2MGYyYTgzYjk4NzVhYzhmMTdmOjI1/?

Today’s post on The Horror Bookshelf comes from Glenn Rolfe, who recently released his thrilling werewolf novel Blood and Rain (review) through Samhain Horror. Glenn is one of my favorite writers and I knew I would read every book of his after I discovered his brutal and haunting debut The Haunted Halls. Blood and Rain is an absolute blast to read and offers a unique spin on the werewolf mythos, so I highly encourage any horror fan to pick up a copy of this stellar novel. I loved Glenn’s take on the werewolf curse and his characterization and attention to setting and pacing are top-notch. Glenn is an extremely talented author and already has locked in a few spots in my “Best of the Year list”, so I am happy to have him back on The Horror Bookshelf. Not only is Glenn a great author, but he is consistently sharing and promoting the work of other writers in the horror community. As an aspiring writer myself, Glenn’s post definitely hit home for me and his positive outlook and work ethic serve as an inspiration.

Before I turn over the blog to Glenn, I want to thank him and Erin Al-Mehairi of Hook of a Book Media & Publicity for having me on the tour. Be sure to follow the rest of the tour dates and enter the giveaway at the end of the post for a chance to win some of Glenn’s books!

Staying Positive

By Glenn Rolfe, Author of Blood and Rain

blood-and-rain

Positivity breeds positivity. That mantra can get a writer through many situations big and small. It helps you keep the belief and faith, even when you hit a wall, that your story will tell you where it wants to go and how you plan to go about getting the finished draft published. Not everyone is going to get your story or love that you wrote a werewolf story without leaving the werewolf’s identity a mystery. You will get rejected, but if you have written the story you wanted to write (which, it most certainly should be if you’re submitting it) you must have faith that your baby will be adopted and find a home.

Tomorrow, Annie… the sun will come out tomorrow.

Another place where staying positive comes into play is in promoting yourself and others in your genre/field. Once you get published (and you will-see how good that positive thing feels?) you will get hit with a bunch of nice or great reviews by people that get your story and love your characters. Brace yourself. You will also get someone that hates it. You’ll get someone who doesn’t understand, or can’t relate to your characters or say…all of your great ‘80’s references. And you know what? That’s okay. Nobody writes a story that everyone likes and just because that one reviewer speaks poorly of your beloved work, it doesn’t make that person an asshole. Read it and let it go. Or do as some in our field do and don’t read it at all.

No means no, and that’s okay, too.

I had only been writing for eight months when I did the unthinkable…I emailed one of my favorite horror writers and asked him if he would be willing to beta read the first three chapters of my very first novel. Was this ballsy? Maybe. But you know what? The worst I was going to get in response was NO. And that’s fine. But you know something? That writer said, “sure.” He read my first three chapters and gave me a bucket full of great advice. Nuggets like “even if you’re going to kill a character that only appears in one chapter, you MUST bring that character to life, otherwise it comes off like a big screen cheap thrill” …that’s not quite verbatim, but you get the gist. Since then, this writer has remained one of my mentors in the horror writing business. It pays to try. It pays to go forward with a positive mindset.

We can only control what we do, not what others do.

In our world as writers, we can only control what WE do. We write our story, compromise on parts when we have to, and sell our story to anyone willing to listen. That’s what we can do. Once you sign a contract, you become an employee. Once you work for someone else, you have to play by the rules and policies of that company. Regardless of what happens, you can always choose to quit, but if you signed your contract that story is staying put until its contracted time expires (there are exceptions, but hopefully you don’t run into a crazy publisher that intentionally fucks you-makes changes without your approval, refuses to pay you, etc.). But we’re staying positive, remember? Publishing is a business. It’s not always pretty, but you can only control what YOU do. Sometimes our bosses will make changes in management, marketing, and other venues for a variety of reasons. Some we understand, some we do not. It has happened in my day jobs too many times to count. It has also happened in my real job. It sucks, and it is scary, but I can only control what I do and the attitude that I carry forward. And that is what I choose to do. I took a few days to consider all of the information received and realized what in the heat of the moment I forgot, to stay positive, and that, I can only control what I do. It sounds naïve to some I’m sure, but I had to make myself look at the bigger picture. Right now, I’m walking in the big unknown. Only time can show us whether or not the shake up is for the best or not. Whether that happened to your Customer Service Manager at Wal-Mart or to the CEO of your Hospitality Group, only time will tell. If you want to keep your current job, you must learn to roll with it. You must learn to roll with the punches. You can always choose to punch out; I’m staying on the clock and getting back to what I control. I’m getting back to work.

Good, good, good, good vibrations…

Please put positive vibes out there, people. Life is full of cheap shots. We must learn how to take the hits and figure out how to keep moving forward.

I hope this post makes someone feel good.

Pay it forward. Lift up someone in your field or your life that you think deserves to know how much you think of them or their work.

Stay tuned!

-GR

###

LINKS

Glenn Rolfe’s Official Website

Samhain Horror’s Official Website

Purchase Blood and Rain: Amazon, Barnes & Noble, Samhain or your favorite bookstore!

blood-and-rain-tour-logo1

Use these hashtags to help spread the word about Blood and Rain! – 

#BloodandRain #Werewolves #WereRolfe #Horrortober #horror #halloween #scaryreads

Blood and Rain Synopsis

The light of a full moon reveals many secrets.

Gilson Creek, Maine. A safe, rural community. Summer is here. School is out and the warm waters of Emerson Lake await. But one man’s terrible secret will unleash a nightmare straight off the silver screen.

Under the full moon, a night of terror and death re-awakens horrors long sleeping. Sheriff Joe Fischer, a man fighting for the safety of his daughter, his sanity and his community, must confront the sins of his past.

Can Sheriff Fischer set Gilson Creek free from the beast hiding in its shadows, or will a small town die under a curse it can’t even comprehend? One night can-and will-change everything.

Find Glenn Rolfe at: http://glennrolfe.com/ or on Facebook, Twitter, and Instagram.

Praise for Blood and Rain

Praise for Blood and Rain~

“A major new talent rises from the Maine woods…Rolfe is the real deal, and Blood and Rain is a classic monster novel, full of blood and teeth and the kind of razor sharp writing that makes the pages sing. Small town horror is back, with a vengeance!” –Nate Kenyon, award-winning author of Sparrow Rock, Diablo: Storm of Light and Day One

“With slashing claws and blood-soaked fur, Blood and Rain will have you howling in terror and delight. A welcome addition to the werewolf mythos, and proof that we’re in the presence of a rising star in the genre. Highly recommended!” –Ronald Malfi, author of The Floating Staircase

“Rolfe tells a tale that captures your attention like King without all of the wordiness. He also spills the red stuff like Laymon…” – Into the Macabre

“Blood and Rain is a monumental piece of horror fiction. It represents everything I love about werewolves, creature features, siege films, and everything else in between. It is still early in the year, but this is a clear cut candidate for my favorite book of 2015.” — Horror Underground

“Wow! Easily one of the best werewolf books I’ve ever read.” – Hunter Shea, author of Tortures of the Damned and The Dover Demon

“Some good ‘ol fashion violence and gore…” – Jason Parent, author of Seeing Evil

“Glenn Rolfe takes a swing at the werewolf genre and hits a home run.” – Russell James, author of Q Island and Dreamwalker

“…not just another werewolf story, Rolfe has managed to take the werewolf to a-whole-nother level…” – Horror Novel Reviews

“The best werewolf novel I’ve read since Jeff Strand’s Wolf Hunt.”–Horror After Dark

About Glenn Rolfe

glenn-bw-profile

Glenn Rolfe is an author, singer, songwriter and all around fun loving guy from the haunted woods of New England. He has studied Creative Writing at Southern New Hampshire University, and continues his education in the world of horror by devouring the novels of Stephen King and Richard Laymon.

He and his wife, Meghan, have three children, Ruby, Ramona, and Axl. He is grateful to be loved despite his weirdness.

He is the author the novellas, Abram’s Bridge, Boom Town, and the forthcoming, Things We Fear (March, 2016), the short fiction collection, Slush, and the novels The Haunted Halls and Blood and Rain (October 2015). His first novella collection, Where Nightmares Begin, will be released in March, 2016.

He is hard at work on many more. Stay tuned!

Excerpt

Stan Springs stared at the curse in the night sky. His curse. He clenched his jaw, and bit back the grunts that demanded release from within his sweat-covered body. His muscles tightened and took turns throwing fits. He could feel his heartbeat’s thunderous barrage at work inside his heaving chest. It was only a matter of minutes before the changes would come.

He ripped his gaze from the clouds, moved away from the window and knelt down next to the bed against the concrete wall. He slipped one shaky hand beneath the mattress and found the small incision he’d made when he first arrived at the institution. He had traded a guard, a heavyset fella by the name of Harold Barnes, his prized Ted Williams rookie card in exchange for a copy of the key. Parting with this gold mine had been necessary. Stan Springs had nothing else of value with which to barter. Harold trusted him enough to make the swap; he told Stan there were crazies here by the dozen, but he could tell that Stan was not one of them.

No, Harold, I’m something far worse.

Key in hand, Stan stepped to the unlocked door and cracked it open. The hallway was clear. He moved down the corridor, as stealthily as during his heydays working on the force in New York. Hearing footfalls ahead and to his left, he fell back and pressed his large frame against the custodial door. Hidden by the entryway’s shadow, he watched Nurse Collins—a tall, thin woman with a dark complexion—pass fifty feet from where he stood, before she disappeared into the nurses’ break room.

Barefoot and dressed in only a Red Sox T-shirt and his sleeping shorts, Stan made a break for the staircase across the hall. His breaths were coming faster now. If he didn’t hurry, he wouldn’t make it outside. He crept down the steps leading to the main hallway.

Through the small window on the stairwell door, he could see Harold Barnes’s haunted jowls illuminated by the laptop screen in front of him. The old man’s eyes were closed, his mouth open. Harold hadn’t even made it an hour into his shift before he was out. Stan knew Harold also ran his own antique shop in the neighboring town of Hallowell. He’d told Stan that working both jobs on the same day, which was sometimes unavoidable, made it difficult for him on the night shift. It was another shared nugget Stan had stored away for nights like this one—the nights the beast in him needed to get out.

Easing the door open, Stan skulked his way along the shadows on the wall, and tiptoed to the main entrance door. Despite the cramps now rampaging through his calves and thighs, he slipped the procured key into the lock, slow and steady. The door clicked open, and he stepped out into the night.

As the cool breeze brushed against the sweat of his brow, the tendons and bones in his face began to shift. The rest of his body followed suit. He dropped to one knee and cried out. His skin, his scalp, his eyes, his muscles were all too tight. He reached behind him and managed to push the door shut.

If you could see me now, Harold.

The private roads out front were deserted. He launched from the building’s stairs and landed on the lawn below, making a beeline for the woods to the left of the large property.

He was twenty feet from the forest when the change hit him like a massive wave, crashing him to the ground. His muscles clenched and squeezed and tore, while the bones of his face continued to crack and grow. His teeth began to fall out in place of the monster’s. Down on all fours, he crawled to the tree cover and vomited. A mix of last night’s cafeteria meat loaf, black coffee, loose teeth, and blood splashed the ferns before him. Stan’s fingers extended as his claws dug into the soft soil of spring’s floor. He moaned and grunted his way through the rest of the fluid process.

In full beast mode, Stan Springs stood and howled at the cloud-covered sky. The creatures of the night became ghosts among the trees. He felt the strength flowing through him and the hunger begging to be sated.

He burst forward, headed north. Despite Stan’s best effort to control the beast’s killing zone, he found himself heading home.

Giveaway

For a chance to win a print copy of Glenn Rolfe’s short story collection, Slush, or a chance to win your choice of any of his titles in e-book format, go to the link below for the Rafflecopter sign-up. Good luck! The print copy is only good for those in the United States. Questions can be referred to Erin Al-Mehairi, publicist, at hookofabook(at)hotmail(dot)com.

http://www.rafflecopter.com/rafl/display/231aa30b22/?

Today’s post on The Horror Bookshelf comes from Hunter Shea, who recently released his excellent new novel The Dover Demon (review) through Samhain Horror. I loved Hunter’s unique approach to the famous cryptid sighting and the exploration of the “what happens after” aspect of paranormal experiences and I highly recommend this novel to horror fans and those who are fascinated by creepy, unexplained phenomena. Check out Hunter’s post below to hear about his own UFO experience. I have a huge interest in UFOs and aliens (despite them scaring the hell out of me), so I would like to thank Hunter for sharing his story with The Horror Bookshelf!

Before I turn over the blog to Hunter, I want to thank him and Erin Al-Mehairi of Hook of a Book Media & Publicity for having me on the tour. Be sure to follow the rest of the tour dates and enter the giveaway at the end of the post for a chance to win a signed print copy of The Dover Demon!

Out of this World

By Hunter Shea, Author of The Dover Demon

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I’ve never had a close encounter with a being from another world, but I did see something in the sky one night that deeply affected the way I view our place in the cosmos.

It was an early evening in the fall of 1987. My sister needed to be picked up from her job at Kids R Us at the mall. For some reason, three of us piled in the car to get her – my mother, my girlfriend (who is now my wife), and me. My mother drove, even though I was 19 and had my own car. We went to the top of the small parking garage and waited for sis to come out. It had been a nice day, giving way to a clear night.

I got out of the car to get some air, staring at the headlights of passing cars on the New York State Thruway behind us. Suddenly, cars started to slow down, pulling over to the shoulder. First it was one, then another, then several that were going in the opposite direction. People got out of their cars, all of them looking at the sky.

My first thought was, what the hell are they looking at? I craned my neck back to see what all the fuss was about. It couldn’t be a blimp. They flew over all the time. What I saw knocked the breath from my lungs.

In the middle of a star-filled sky was a huge black mass, slowly moving overhead. There were very bright lights on the edges of the mass, solid orbs emitting a white/yellow glow. I could track its movement by watching stars disappear behind it while others reappeared as it hovered to the south. Its size was breathtaking. I know people always use the football field analysis when they try to describe things like this. For my money, I would say it was roughly the size of two baseball fields.

The most terrifying part is that it didn’t make a single sound.

When my sister got to the car, she joined all of us as staring at this silent, floating city. She immediately started crying, begging for us to leave and just get home. My mother, girlfriend, and I were too entranced to move. We watched it progress down the highway, heading for New York City.

Eventually, we got in the car, keeping it in our sights. By the time we got to my house, the craft was turning towards New Jersey. Then the incredible entered the realm of the fantastical. Whatever it was exploded with light, zooming toward the heavens without making a single sound until it disappeared. My heart raced so hard, I could barely breathe. We looked at each other, dumbfounded. Was that what we think it was?

It made the paper the next day. Thousands of people witnessed the same thing. The official explanation – lightweight planes flying in formation. How those planes blacked out the stars between them could never be explained.

Needless to say, my passing interest in UFOs went into overdrive. I didn’t go full on conspiracy theorist, but I have educated myself as much as possible to all the potentialities. I do know one thing. We are not the only creatures in this vast universe. The question now is, what did we see that night? What have millions of people witnessed in the skies over the past 70 years, if not more?

In the words of the post on Fox Mulder’s wall – I WANT TO BELIEVE.

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Purchase The Dover Demon: Amazon, Barnes & Noble, Samhain or your favorite bookstore!

Dover Demon tour logo

Follow along the tour using the hashtags #TheDoverDemon #HunterSheaLovesCryptids #Monsters #Cryptozoology #cryptids

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A trip Hunter Shea made to the International Cryptozoology Museum in Portland, Maine two years ago sparked the idea for THE DOVER DEMON. While he was there, he met famed cryptozoologist, Loren Coleman and talked about creatures he’s personally investigated. It turns out, he was the man on the scene in Dover, MA in the late 70s when the uber strange biped was spotted by several people over the course of two nights in April, Hunter reported. He also gave it its name, Dover Demon. 

Now, Hunter’s fictional world of The Dover Demon has been published as a novel and he was able to go back to the museum of cryptids in August and have a launch party for the book with Loren Coleman! To read more about that and see photos, head over to his site via this link: http://huntershea.com/2015/08/30/the-dover-demon-raises-his-round-little-head-cryptid-novel-release-day/

The Dover Demon Info and Synopsis

  • File Size: 1032 KB
  • Print Length: 242 pages
  • Publisher: Samhain Publishing, Ltd. (September 1, 2015)
  • Publication Date: September 1, 2015

The Dover Demon is real…and it has returned.

In 1977, Sam Brogna and his friends came upon a terrifying, alien creature on a deserted country road. What they witnessed was so bizarre, so chilling, they swore their silence. But their lives were changed forever.

Decades later, the town of Dover has been hit by a massive blizzard. Sam’s son, Nicky, is drawn to search for the infamous cryptid, only to disappear into the bowels of a secret underground lair. The Dover Demon is far deadlier than anyone could have believed. And there are many of them. Can Sam and his reunited friends rescue Nicky and battle a race of creatures so powerful, so sinister, that history itself has been shaped by their secretive presence?

Praise for Hunter Shea

This wholly enthralling hulk of a summer beach read is redolent of sunscreen and nostalgia, recalling mass market horror tales of yore by John Saul, Dean Koontz, and Peter Benchley.” — Publishers Weekly — Voted one of the best reads of summer, on The Montauk Monster

“Bloody good read!  This guy knows his monsters!”- Eric S Brown, author of Bigfoot War and Boggy Creek: The Legend is True, on Swamp Monster Massacre

About Hunter Shea 

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Hunter Shea is the author of the novels The Montauk MonsterTortures of the Damned, Sinister EntityForest of ShadowsSwamp Monster Massacre, Evil Eternal,  and The Dover Demon. His stories have appeared in numerous magazines, including Dark Moon Digest, Morpheus Tales, and the Cemetery Dance anthology, Shocklines : Fresh Voices in Terror. He’s currently working on or completed a few more manuscripts set to come.

His obsession with all things horrific has led him to real life exploration of the paranormal, interviews with exorcists and other things that would keep most people awake with the lights on.

Hunter is proud to be be one half of the Monster Men video podcast, along with his partner in crime, Jack Campisi. It is one of the most watched horror video podcasts in the world. Monster Men is a light hearted approach to dark subjects. Hunter and Jack explore real life hauntings, monsters, movies, books and everything under the horror sun. They often interview authors, cryptid and ghost hunters, directors, and anyone else living in the horror lane.

He lives in New York with his family and vindictive cat. He waits with Biblical patience for the Mets to win a World Series. You can read about his latest travails and communicate with him at www.huntershea.com or find him on Facebook and Twitter.

Giveaways

On this tour, win one signed print copy of The Dover Demon if you are in the U.S.! Just sign-up at the Rafflecopter link below:

http://www.rafflecopter.com/rafl/share-code/MjMxYWEzMGI1ZDE2MGYyYTgzYjk4NzVhYzhmMTdmOjIx/?

Today’s post on The Horror Bookshelf comes from author Ronald Malfi, who recently released his excellent new novel Little Girls (review) through Kensington. I absolutely loved this genre-bending novel and not only would I recommend this to other horror fans, but fans of other genres as well. Check out Ron’s post below to learn about the importance of titles and how he came up with the titles for some of his books.

Before I turn over the blog to Ron, I want to thank him and Erin Al-Mehairi of Hook of a Book Media & Publicity for having me on the tour. Be sure to follow the rest of the tour dates which run through August I believe and enter the giveaway at the end of the post for a chance to win a copy of the book!

WHAT’S IN A NAME,

or WHY THE FBI IS PROBABLY MONITORING MY EMAILS AND GETTING READY TO SERVE SUBPOENAS ON THE STAFF OF THE HORROR BOOKSHELF

by Ronald Malfi

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I’m a big fan of a good title. I labored over this when considering the title of my current work in progress, and whenever I’m writing, no matter how deep I get into a novel, it never seems wholly real until I’ve got a title to slap on the front page. A good one. In fact, more often than not, the title of a story is usually one of the first things I come up with, as it’s sort of tied hand-in-hand with the story itself. Shitty book titles are just the pits, man, and there are some particularly bad ones in the horror genre—titles that sound like the author pulled two random words from some hat, a variation on Mad Libs for the dark arts. C’mon, you know what I’m talking about. (And no, I’m not going to list real-world examples.)

Some may argue that I’m guilty of this very sin. In particular, I’ve heard readers comment on the peculiarity of the title to my novel Floating Staircase. “Seriously?” they say. “Floating what? This is a ghost story?” Yeah, I get it, but for me, man, I just loved that title. And it wasn’t until the title jumped in my head that the whole book came together. (Prior to that, Staircase’s working title was Rooms of Glass, which I also liked, but it didn’t fit the story as well. I believe my protagonist Travis Glasgow’s publisher is called Rooms of Glass Books in the final novel, or at least in one iteration of the manuscript.)

Similarly, it was one afternoon when the name “Skullbelly” jumped in my head for no apparent reason. With it came the image of a Bigfoot-esque humanoid creature whose belly would distend as it devoured its meals—which, in the case of the novella I wrote based on this idea, happened to be a trio of young campers. The skin would stretch taut to near translucence so that the bones of this creature’s victims could be glimpsed in mid-digestion. And just like that, on the power of a single name, a single word for a title, the entire novella Skullbelly formed in my head.

And if I can be blamed for the somewhat uninspired title of my 2010 thriller The Ascent, rest assured that when it was published overseas in India, the title was changed to the more enigmatic Canyon of Souls.

Which brings me to my newest novel, Little Girls. I’ll admit off the bat that my wife came up with the title. Prior to her suggestion, I had been using the working title Sadie, which is the name of the evil little girl in the novel. I felt the book had an old-school horror feel, and wanted to allude to novels of that ilk, such as Peter Straub’s Julia, Stephen King’s Carrie, and books like that. But I agreed with my wife (as I often do), and went with the catchier title Little Girls.

Everything was fine for a while. But then the emails from my agent started coming in, subject lines going something like “Let’s Talk About Little Girls” or “How Far Have You Gotten With Little Girls?” Once the book was sold and I began corresponding with my editor and his staff, as well as my publicist, email subject lines began getting more and more…well…awkward. When the publicity photos showed up in my inbox, my wife happened to be peering over my shoulder and glimpsed the subject line “LITTLE GIRLS PHOTOS!” And if you think that’s bad, you should have seen some of the early iterations of the hashtags on Twitter about the book. We finally settled on #LittleGirlsMalfi, which is bad enough, although I feel some of the earlier attempts were even worse.

Nonetheless, I dig the title. I think it’s perfect for the book, despite all those weird email subject lines and Twitter hashtags. And if the FBI is monitoring my computer—and maybe yours, too, since you’re reading this—we’ll all have a viable excuse for when they come knocking on our door. Although your neighbors may not believe it.

So grab a copy of the book and give it a read this summer, preferably while at the beach or while riding some form of mass transit. This way, you may just have a stranger come up to you and ask how far you’ve gotten with Little Girls.

Happy reading, you creeps.

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Little Girls tour logo

About Little Girls

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From Bram Stoker Award nominee Ronald Malfi comes a brilliantly chilling novel of childhood revisited, memories resurrected, and fears reborn…

When Laurie was a little girl, she was forbidden to enter the room at the top of the stairs. It was one of many rules imposed by her cold, distant father. Now, in a final act of desperation, her father has exorcised his demons. But when Laurie returns to claim the estate with her husband and ten-year-old daughter, it’s as if the past refuses to die. She feels it lurking in the broken moldings, sees it staring from an empty picture frame, and hears it laughing in the moldy greenhouse deep in the woods…

At first, Laurie thinks she’s imagining things. But when she meets her daughter’s new playmate, Abigail, she can’t help but notice her uncanny resemblance to another little girl who used to live next door. Who died next door. With each passing day, Laurie’s uneasiness grows stronger, her thoughts more disturbing. Like her father, is she slowly losing her mind? Or is something truly unspeakable happening to those sweet little girls?

Purchase Little Girls: Amazon, Barnes & Noble, or your favorite local bookstore

Praise for Ronald Malfi and his novels

“One cannot help but think of writers like Peter Straub and Stephen King.”
FearNet

Malfi is a skillful storyteller.”—New York Journal of Books

“A complex and chilling tale….terrifying.”—Robert McCammon

Malfi’s lyrical prose creates an atmosphere of eerie claustrophobia…haunting.”—Publishers Weekly

“A thrilling, edge-of-your-seat ride that should not be missed.”—Suspense Magazine

About Ronald Malfi

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Ronald Malfi is an award-winning author of many novels and novellas in the horror, mystery, and thriller categories from various publishers, including Little Girls, this summer’s 2015 release from Kensington.

In 2009, his crime drama, Shamrock Alley, won a Silver IPPY Award. In 2011, his ghost story/mystery novel, Floating Staircase, was a finalist for the Horror Writers Association Bram Stoker Award for best novel, a Gold IPPY Award for best horror novel, and the Vincent Preis International Horror Award. His novel Cradle Lake garnered him the Benjamin Franklin Independent Book Award (silver) in 2014. December Park, his epic childhood story, won the Beverly Hills International Book Award for suspense in 2015.

Most recognized for his haunting, literary style and memorable characters, Malfi’s dark fiction has gained acceptance among readers of all genres. 


He was born in Brooklyn, New York in 1977, and eventually relocated to the Chesapeake Bay area, where he currently resides with his wife and two children.

Visit with Ronald Malfi on Facebook, Twitter (@RonaldMalfi), or at www.ronmalfi.com.

Giveaway

Sign up to win one of two paperback copies of Little Girls by Ronald Malfi by clicking the link to the Rafflecopter link below. Be sure to follow the specifics you can do each day to gain more entries.

http://www.rafflecopter.com/rafl/share-code/MjMxYWEzMGI1ZDE2MGYyYTgzYjk4NzVhYzhmMTdmOjE4/?